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The Four Treasures of Chinese Painting
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Paper |
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Paper is one of the most famous Chinese inventions. It is widely accepted that
paper was invented by Cai Lun in the Eastern Han. However the archaeologists
have discovered paper of Western Han such as "Fang-ma-tan" paper, "Ba-quao"
paper, "Xuan-quan" paper, "Ma-quan-wan" paper, "Ju-yan" paper and "Han-tan-po"
paper.
After the Eastern Jin Dynasty, paper was extensively used instead of traditional
writing materials such as bamboo slips and silks. Various methods of producing
paper emerged one after another.
In the Tang and Song Dynasties, the paper producing industry was very thriving.
Celebrated products in best quality appeared one after another. In the Qing "Xuan-zhi"
produced in Jing Prefecture of Anhui (Xuanzhou), became the special paper for
painting and calligraphy, and was regarded as "the king of the paper"
The former is usually for the "Elaborate Style" of painting ; the latter, which
has a water-resistant surface, is for the "Spontaneous Style" and allows
artists to color the painting layer by layer. |
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Xuan paper-(Rice paper), 1 Ply, 2Ply and 3ply.
size: 4', 5'and 6 feet.
Made in China. |
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Korean paper
Size: 28"x 56"and other size
Made in Korea |
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Japanese Paper ( kozo, Linen, Mulberry )
24"x35", 27'x48", and 36"x72
Made in Japan |
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Brush |
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The Brush: The brush, Mow-be in Chinese, is made from hardy materials, including
the fur of the rabbit, goat, deer and wolf. Brush handles are made from sturdy
Bamboo. Let's take a look at the structure of the brush. On the left picture,
the red part is the "core". The fur is the longest from handle to the tip. The
green part is "mantle". The black part is the outer layer. There is a reservoir
in the brush, the white part, which lets the brush contain more ink and water
than the western brushes do.
Chinese brushes demand great skill for proper use. The brush is very sensitive
to the slightest movement or pressure. The heavier the pressure, the thicker the
stroke; the lighter the pressure, the thinner the stroke. With too much
pressure, the brush loses its shape, which sometimes makes special effects for
paintings. In fact, the technique requires that the artist "re-form" the tip of
the brush after nearly every stroke! In the hands of a master, the Chinese brush
produces subtle and intricate variations.
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Horse hair |
Horse hair & Wolf hair |
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Lambs hair and Wolf hair |
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Wash brush |
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Ink |
Ink: The Ink is in stick form, made from burnt pine wood
soot, and mixed with glue. This procedure was invented in 205 B.C. and is highly
prized as the ink-maker's art. A gift of Fine Ink Stick is a mark of high honor.
Pine Wood Soot Ink (Sung Yen Mo) is carefully ground with small amounts of water
by the artist who uses the ink stick† to produce only enough ink for the
immediate need.
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Ink Stone |
Ink stone is the most important of "four treasures of the study". Because of its
solid texture ink stone can be handed down from ancient times.
In the ruins of primitive society the archaeologists discovered simple stone
ink-slab that needed a pestle to grind pigments. After artificial ink-sticks
appeared in Han, pestle gradually disappeared. There were pottery ink-slab,
lacquer ink-slab and copper ink-slab in the Han Dynasty as well as stone
ink-slab. Among the stone ink-slabs, the round tripod pieces were the most
typical. During the Wei, Jin and Northern-and-Southern Dynasties, round tripod
porcelain ink-slabs were in vogue. It was in the Sui and Tang that "Piyong" ink
stone having circular legs appeared
The Ink Stone: It is made of slate upon which the ink is ceremoniously ground by
the artist.
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Seal – Name Chop Seal Ink, Last Name (
White on Red ), First Name ( Red on White ) |
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Chinese colour: Deep red, Brown burnt
sienna), Indigo, Vermilion, Yellow cake |
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Mineral Colour: White lead, Power
white, Vermilion, Stone Blue, Stone Green. |
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Colour |
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Acrylic colour
Lemon yellow, Crimson, Orange, Emerald green, light green oxide,
Cerulean blue, Prussian blue, Cobalt blue, Burnt sienna,
White, Cadmium red
Water Colour
Crimson lake, Prussian blue, Vermilion.
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Poster colour
Lemon yellow, Orange, Emerald green. Yellow, Prussian blue,
white. Cobalt Violet, Cerulean blue
and
Chinese painting
colour set

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Other Painting Equipment |
1 piece wall carpet approx. 3' x 4' (Large enough to fit a full sheet of
paper on) Spray bottle. White tiles for mixing colour. (Kitchen or bathroom type
ceramic tiles approx. 6-8" long or white china dinner plates such as corolla
ware. Paper towels, cotton rags, and newspaper. Water container.
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Brush washer, Colour container,
Dishes & Tile for mixing colour Paper towel & Cloth |
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Alum water, Glue for mineral colour,
Spray, Mortar and Pestle (for mineral colour). |
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Questions or comments about the Gallery and the web
site are always welcome :
email
James Tan Gallery
437
Columbia St., Vancouver BC V6A 2R9 Tel: 604-649-0872
Hours:
Tue-Sun 11 am - 5:00
pm Closed Monday
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