|
|
|
The Four Treasures of Chinese Painting
|
|
|
|
Paper |
|
Paper is one
of the most famous Chinese inventions. It is widely accepted that paper
was invented by Cai Lun in the Eastern Han. However the archaeologists
have discovered paper of Western Han such as "Fang-ma-tan" paper, "Ba-quao"
paper, "Xuan-quan" paper, "Ma-quan-wan" paper, "Ju-yan" paper and
"Han-tan-po" paper.
After the
Eastern Jin Dynasty, paper was extensively used instead of traditional
writing materials such as bamboo slips and silks. Various methods of
producing paper emerged one after another.
In the Tang
and Song Dynasties, the paper producing industry was very thriving.
Celebrated products in best quality appeared one after another. In the
Qing "Xuan-zhi" produced in Jing Prefecture of Anhui (Xuanzhou), became
the special paper for painting and calligraphy, and was regarded as "the
king of the paper"
The former is
usually for the "Elaborate Style" of painting ; the latter, which has a
water-resistant surface, is for the "Spontaneous Style" and allows
artists to color the painting layer by layer. |
|
 |
Xuan
paper-(Rice paper), 1 Ply, 2Ply and 3ply.
size: 4', 5'and
6 feet.
Made in China. |
|
 |
Korean paper
Size: 28"x
56"and other size
Made in Korea |
|
 |
Japanese Paper
( kozo, Linen, Mulberry )
24"x35",
27'x48", and 36"x72
Made in Japan |
|
|
|
Brush |
|
The Brush: The
brush, Mow-be in Chinese, is made from hardy materials, including the fur
of the rabbit, goat, deer and wolf. Brush handles are made from sturdy
Bamboo. Let's take a look at the structure of the brush. On the left
picture, the red part is the "core". The fur is the longest from handle
to the tip. The green part is "mantle". The black part is the outer
layer. There is a reservoir in the brush, the white part, which lets the
brush contain more ink and water than the western brushes do.
Chinese
brushes demand great skill for proper use. The brush is very sensitive to
the slightest movement or pressure. The heavier the pressure, the thicker
the stroke; the lighter the pressure, the thinner the stroke. With too
much pressure, the brush loses its shape, which sometimes makes special
effects for paintings. In fact, the technique requires that the artist
"re-form" the tip of the brush after nearly every stroke! In the hands of
a master, the Chinese brush produces subtle and intricate variations.
|
|
Horse hair |
Horse hair & Wolf hair |
|
 |
 |
|
Lambs hair and Wolf hair |
|
|
|
Wash brush |
|
 |
|
Ink |
Ink: The Ink is in stick form, made from burnt pine
wood soot, and mixed with glue. This procedure was invented in 205 B.C.
and is highly prized as the ink-maker's art. A gift of Fine Ink Stick is
a mark of high honor. Pine Wood Soot Ink (Sung Yen Mo) is carefully
ground with small amounts of water by the artist who uses the ink stick†
to produce only enough ink for the immediate need.
|
|
Ink Stone |
Ink stone is
the most important of "four treasures of the study". Because of its
solid texture ink stone can be handed down from ancient times.
In the ruins
of primitive society the archaeologists discovered simple stone ink-slab
that needed a pestle to grind pigments. After artificial ink-sticks
appeared in Han, pestle gradually disappeared. There were pottery
ink-slab, lacquer ink-slab and copper ink-slab in the Han Dynasty as
well as stone ink-slab. Among the stone ink-slabs, the round tripod
pieces were the most typical. During the Wei, Jin and
Northern-and-Southern Dynasties, round tripod porcelain ink-slabs were
in vogue. It was in the Sui and Tang that "Piyong" ink stone having
circular legs appeared
The Ink Stone:
It is made of slate upon which the ink is ceremoniously ground by the
artist.
|
|
Seal – Name Chop Seal Ink,
Last Name ( White on Red ), First Name ( Red on White ) |
|
 |
|
Chinese colour: Deep red,
Brown burnt sienna), Indigo, Vermilion, Yellow cake |
|
 |
|
Mineral Colour: White lead,
Power white, Vermilion, Stone Blue, Stone Green. |
|
 |
|
Colour |
|
Acrylic colour
Lemon yellow,
Crimson, Orange, Emerald green, light green oxide,
Cerulean blue,
Prussian blue, Cobalt blue, Burnt sienna,
White, Cadmium
red
Water Colour
Crimson lake,
Prussian blue, Vermilion.
 |
Poster colour
Lemon yellow,
Orange, Emerald green. Yellow, Prussian blue,
white. Cobalt
Violet, Cerulean blue
and
Chinese
painting colour set

|
|
Other Painting Equipment |
1 piece wall carpet approx. 3' x 4' (Large enough to fit a full sheet
of paper on) Spray bottle. White tiles for mixing colour. (Kitchen or
bathroom type ceramic tiles approx. 6-8" long or white china dinner
plates such as corolla ware. Paper towels, cotton rags, and newspaper.
Water container.
|
|
Brush washer, Colour
container, Dishes & Tile for mixing colour Paper towel & Cloth |
|
 |
|
Alum water, Glue for mineral
colour, Spray, Mortar and Pestle (for mineral colour). |
|
 |

Questions or comments about the Gallery and the web site are always welcome :
email
James Tan Gallery
437 Columbia St.,
Vancouver BC V6A 2R9 Tel: 604-649-0872
Hours:
Tue-Sun 11 am - 5:00 pm
Closed Monday
|